05/18/2012

Ridgefield Guild show explores gender

In a button-down little town where I never imagine anything exciting happens, I’m being proved wrong.

At the Ridgefield Guild of Artists, the mother of a transgender son has curated a show that explores gender identity. Fifty-two artists from six countries are participating.

“I approached the Ridgefield Guild of Artists about doing a show on gender, and they embraced it enthusiastically,” says curator Nancy Moore. “Together, we resolved to have a ‘ big conversation in a small town.’ ”

And after I explore my perceptions of gender identity, I’m going to reassess the possibilities in places I’ve pigeonholed as starchy and dull.

More here.

Contemporary in Kent

A spring drive into Kent will ultimately bring to you a group show of six major contemporary artists.

The Morrison Gallery is showing works by Warner Friedman, Jean-Claude Goldberg, Gary Komarin, Jonathan Perlowsky, Jonathan Prince and Janet Rickus. The show runs until Sunday, May 29.

New York City native Warner Friedman was an engineer early in his life, but soon dedicated his talents exclusively to art. His meticulously detailed natural scenes are framed by some architectural structure, such as a window, a door, a fence, a balcony, leading one critic to write, “one doesn’t look at Warner Friedman’s paintings, one looks through them.”

Jean-Claude Goldberg was born in Paris in 1939 and attended the School of Fine Arts in Paris where he worked as a graphic designer in the 1960’s before moving to New York. In 1968 he started a career on Madison Avenue as a creative director. He became a full-time artist after founding his own creative advertising agency.

Another New York City native, abstract painter Gary Komarin “does in his paintings what acrobats do on the high wire” says critic Hamlett Dobbins, adding that Komarin’s works “create a sense of absurdity in the painting: they are imprecise, quirky, and even romantically fanciful.”

Contemporary artist Jonathan Perlowsky has had a rich career marked by constant experimentation with color, image and surface quality that spans three-decades and evolves through several distinct styles. He had his first solo exhibit in 1981 at the age of 28 at the early breakaway Westbroadway Gallery in Manhattan.

Jonathan Prince’s sculptures explore the expansive potential for formal and expressive variety latent in stone, placing the emphasis on elegance, precision, and material qualities. Sinuous, organic volumes suggest the presence of a fluid element within solid granite, while pristinely polished surfaces and perfect geometries create a contrasting machine aesthetic. Prince’s geometric abstractions and clear awareness of both mass relationships and surface qualities demonstrate his artistic inheritance from Constantin Brancusi, Jean Arp, and other masters of twentieth century modernist sculpture.

Janet Rickus’s still lifes are painted actual size, at eye level, and are often arranged on a surface covered with crisply ironed or softly draped table linens. A native of Massachusetts, Rickus prefers the shapes and stability of fruits, vegetables and flowers, which she paints during the day in natural light. Her “Three Pears” was the cover illustration of Harvard professor Marjorie Garber’s book, Vice Versa: Bisexuality and the Eroticism of Everyday Life, and Garber used slides of Rickus’s work at a colloquium at the Centre Pompidou in Paris.

The Morrison Gallery is a 7,000 square foot space in the historic Old Barn section of Kent and is home to an on-going schedule of exhibitions by prominent local and national artists.

SHU: Artists who welcome the heat

A cook relies on heat to prepare a meal. And sometimes, an artist relies on heat to create.

At Sacred Heart University, a group show makes heat its central theme. Artists Jocelyn Braxton Armstrong, Austin I. Collins, C.S.C., Michael Dominick, Eve Ingalls, Richard Klein, Gina Miccinilli, Robert Modaferri and Kenneth P. Payne all used heat as a medium.

“Heat” opens with a live-jazz (by the Carol Sudhalter Duo) reception 1-3:30 p.m. Sunday, May 1. It runs until June 1.

Jocelyn Braxton Armstrong’s large ceramic work, shown here, was inspired by the chaos of the 2004 tsunami waves on the island of Sumatra, we are told. Read about it and the entire concept in an essay by the gallery director, Sophia Gevas.

LAA: Fashion meets art, and vice versa

Starting with a reception and performance on Friday, April 29, the Loft Artists Association presents “Art Meets Fashion”, a solo exhibition and performance created by artist and designer Clair Koch.

The Exhibition takes visitors through a world of color, fantasy and contemporary abstract art and design. The Performance is a synergy of art, music, fashion and models, and will take place at 7:00pm during the Opening Reception on the evening of Friday, April 29, 2011, 6:00-9:00pm.

There will also be a Designing Workshop on Saturday, May 14, 2011, that will review the design aspects of the clothing and jewelry worn by the models during the performance presentation. Other innovative ideas of fashion design will also be presented. This is one of those exhibits that is so much more than the paintings on the wall. This is a show that will change the way you see art and fashion, the world, and perhaps even yourself.

These are free events open to the public.

 

and then April 29 – June 5, 2011
• Reception: Friday, April 29, 2011 from 6:00 to 9:00pm
• Performance: Friday, April 29, 2011 at 7:00pm
• Designing Workshop: Saturday, May 14, 2011 from 2:00 to 3:30pm

 

 

BACC: Bridgeport artists commit it to print

There’s something about printmaking that’s a little more assertive, more authoritative than other forms. Whether you’re printing on a Goss M-600 or a hand press in the basement of Read’s, prints can’t help be strong images, suitable for our tough little city.

“Bridgeport Prints: An Exhibition of Original Printmaking” opens at the Bridgeport Arts and Cultural Council with a reception 5-7 p.m. Thursday, May 12. You have until June 23 to see what James Reed, a master printer and artist, selected for the show.

Emerging and established artists who live or work in Bridgeport are in the mix. They include: Roland Becerra, Kelly Bigelow Becerra, Thurston Belmer, Janine Brown, Karen Brussat Butler, Richard Byrnes, Helen Cantrell, Ann Chernow (her work shown here), Alberta Cifolelli, Xenia Fedorchenko, Andre Junget, Kate Larocca, James Meyer, Gus Moran, Brechin Morgan, Misty Morrison, Andrew Murdoc, Perry Obee, Yolanda Petrocelli, Ronnie Rysz, Nomi Silverman, Tyson Skross, Liz Squillace and Michael Torlen

Art for the brave and the finest

The Bridgeport Art and Cultural Council extends a special welcome to Bridgeport police and firefighters  for a reception 5-7 p.m. Thursday April 21 for a new exhibit, “Art in Force.”

“Our first responders in Bridgeport are known for their hard work, bravery, and the dangers they face from day to day on the job,” says curator Eileen Walsh. “Many may be surprised to find that only scratches the surface. In this show our first-responders deal with the stresses of the job through art. Whether photographing the things they see on the job or expressing themselves through abstract painting and conceptual sculptures, these artists find that art can help them work through some of the issues they are constantly confronting.”

The show features the work of three Bridgeport police Officers and one Bridgeport firefighter. Among them are  abstract paintings by Vincent Verrillo, urban photos by James Meyers and firefighting images by Keith Muratori

The show runs through Thursday, May 5th 2011. The BACC Gallery is in the historic Arcade Mall on 1001-12 Main Street in downtown Bridgeport.

Paint mine pink: FAC reception

The Pink House Painters is a group of 31 Fairfield County artists who regularly come together to create and share, reflect and critique and find inspiration. Their paintings will be on view in “Different Strokes” at the Fairfield Art Center. Expect watercolors, acrylics, oils and multi-media pieces – representational to abstract in style.

Westport painter Arlene Skutch, who is the driving force behind the The Pink House Painters, opens her studio to the group. Near the studio, on the same property, is her bright pink Cape Cod style house built in 1876.

Most members of the group show their work individually in exhibitions and commercial galleries. “Different Strokes” opens with a reception 6-8 p.m. Friday, April 22 and runs through May 7.

The Fairfield Citizen has more details.

All together now: The public art competition comes to a close

After more than a year, the public art competition is drawing to a close. Now you can see all the submissions in one place.
Public Art & A Party will feature the work of all six finalists selected to create new works in the MainStateVentures 1st Annual Public Art Competition. All six murals that were featured throughout the year will be shown side by side for the first time on 6 – 9 p.m. May 5 – 25 at City Lights Gallery.
The public is invited to vote for the People’s Choice Award, worth $250. The grand prize winner, named by a jury, wins $1,000.
The artists, all Bridgeport residents, will be on hand to discuss their work. Announced in February 2010, they six artists whose work has graced one little square on Broad Street are: kHyal, Gus Moran, Yolanda Petrocelli, Liz Squillace, John Lawson and Kelly Bigelow Becerra.

The exhibit will culminate in the selection of a grand prize winner and a people’s choice winner, with cash awards of $1,000 and $250 respectively.

The judges are Robert Curcio, co-founder of the Scope International Art Fairs and gallerist, New York; MaryAnn Fahey, curator and gallerist, Umbrella Arts, New York; Emily Larned, professor, graphic design, University of Bridgeport; John Favret, director, Housatonic Community College Art Department; and Penny Harrison, an arts consultant.

MainStateVentures is a joint venture between Spinnaker Real Estate Partners, LLC and Forstone Capital, LLC. MainState acquired the People’s United Bank downtown Bridgeport portfolio, which represents two prime city blocks including seven buildings totaling more than 255,000 square feet with 2.8 adjacent acres of developable land.

‘Emotional Landscape’: High drama in Hudson

A drive to Hudson, arts and antique mecca in the Hudson Valley, would reveal some beautiful landscapes. Once you get there, some artistic interpretations will be in view.

Last night on Warren Street, Carrie Haddad Photographs held a reception for its show “Emotional Landscape: photographs by Anna Collette, Lependorf + Shire, Michael Marston, Juan Garcia Nunez and Andre Wagner.” Also on exhibit is a series of photographs by Lori Van Houten titled Cooper Street. The exhibit runs through May 22.

In this group of images, each photographer has intentionally done something to the landscape to provoke an emotion or heighten the dramatic impact,” says Haddad. “They have actively entered the topography in some way to create a change, a change which reveals not only the landscape, but the artist. Andre Wagner uses natural and artificial light as a method of design to help visually decode the hidden emotions in his settings. Through a series of techniques, Anna Collette has reduced the color of a midnight forest to a singular blue, revealing a tangled, forbidden realm. In Juan Garcia-Nunez’s work, his use of overlay and blurring communicate the visual connection between the landscape of the river and the microscopic aquatic life which has been present since the ice age.

Two other photographers make use of nature’s own forces as mechanisms to enhance their vision. For Lependorf + Shire this comes from the kinetic energy created by a massive waterfall, its corresponding mist diffusing air and light, allowing the subtle colors of falling leaves to pop against an otherwise neutral palette. In Michael Marston’s other-worldly image of Iceland, the unpredictable elements of fog, rain, and wind unveil the beauty and violence of this mythic terrain.

 

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